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Enviado por Passageiro61 em 25/01/2012
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A Canterbury Tale is a 1944 British film by the film-making team of Michael Powell and Emeric Pressburger. It stars Eric Portman, Sheila Sim, Dennis Price and Sgt. John Sweet; Esmond Knightprovided narration and played several small roles. For the postwar American release, Raymond Masseynarrated and Kim Hunter was added to the film. The film was made in black and white, and was the first of two collaborations between Powell and Pressburger and cinematographer Erwin Hillier.
A Canterbury Tale takes its title from The Canterbury Tales of Geoffrey Chaucer, and loosely uses Chaucer's theme of 'eccentric characters on a religious pilgrimage' to highlight the wartime experiences of the citizens of Kent, and encourage wartime Anglo-American friendship and understanding.
The film is notable for its many exterior shots showing the Kent countryside, as well as extensive bombsites in Canterbury itself, so soon after the infamousBaedeker raids of May/June 1942 which had destroyed large areas of the city centre. Many local people, including a lot of young boys, were recruited as extras for the extensive scenes of children's outdoor activities such as river 'battles' and dens. The Cathedral itself was not available for filming as thestained glass had been taken down, the windows boarded up and the organ, an important location for the story, removed to storage, all for protection against air raids. By the use of clever perspective, large portions of the cathedral were recreated within the studio by art director Alfred Junge.
The film's visual style is a mixture of British realism and Hillier's German Expressionist style. But this is harnessed to a neo-romantic sense of the English landscape. This sense that 'the past always haunts the present' in the English landscape was a powerful theme that would be mined by countless British novelists and film-makers from the 1960s onwards.
Described as 'morally weird but forever English', its characters, rare for mainstream cinema, play out their moral choices instead of merely verbalising them
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