Franck Capra - Why We Fight - War Comes to America (1945)

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Enviado por PoathArchives em 28/07/2011

War Comes to America (1945) - shows how the pattern of Axis aggression turned the American people against isolationism. Capra's synopsis: Dealt with who, what, where, why, and how we came to be the U.S.A.—the oldest major democratic republic still living under its original constitution. But the heart of the film dealt with the depth and variety of emotions with which Americans reacted to the traumatic events in Europe and Asia. How our convictions slowly changed from total non-involvement to total commitment as we realized that loss of freedom anywhere increased the danger to our own freedom. This last film of the series was, and still is, one of the most graphic visual histories of the Unites States ever made.

The following background information is fromhttp://en.wikipedia.org/wiki/Why_We_Fight

Why We Fight is a series of seven propaganda films commissioned by the United States government during World War II to demonstrate to American soldiers the reason for U.S. involvement in the war. Later on they were also shown to the general U.S. public to persuade them to support American involvement in the war.

Most of the films were directed by Frank Capra, who was daunted yet also impressed and challenged by Leni Riefenstahl's propaganda film Triumph of the Will and who worked in direct response to it. The series faced a tough challenge: convincing an only recently non-interventionist nation of the need to become involved in the war and ally with the Soviets, among other things. In many of the films, Capra and other directors spliced in Axis powers propaganda footage—recontextualizing it so it promoted the cause of the Allies instead.

Why We Fight was edited primarily by William Hornbeck and is among the best examples of stock-footage montage ever produced, although some parts were re-enacted "under War Department supervision" if there was no relevant footage available. The animated portions of the films were produced by the Disney studios -- with the animated maps following a convention of depicting Axis-occupied territory in black.

The films were narrated by Academy Award winning actor Walter Huston. This narration, though factual for the most part, is replete with nationalist and racist rhetoric describing implacably warlike Germans and "blood-crazed Japs." Conversely, it lionizes the courage and sacrifice of the British, Soviets, and Chinese.

At the end of each film, the quotation from Army Chief of Staff George Marshall that "...the victory of the democracies can only be complete with the utter defeat of the war machines of Germany and Japan." is shown on screen, followed by a ringing Liberty Bell over which is superimposed a large letter "V" zooming into the screen, accompanied by patriotic or military music on the soundtrack.

Why We Fight also contains many scenes from Triumph of the Will when talking about the Nazis.

Franck Capra - Why We Fight -Know Your Enemy: Japan (1945)

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Publicado em 18/04/2012 por Cin Files

Ce film américain est un film de propagande de commande par le département de guerre américain, réalisé par Frank Capra. Il présente aux soldats US ce qu'est le soldat, la société, les croyances et les coutumes et l'histoire du peuple japonais. A priori neutre et descriptif, le film est ironique voire cruel envers les japonais. 

Doublé en français.

Franck Capra - Why We Fight - Here Is Germany (1945)

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4:51 / 50:03

Enviado por nologorecords em 06/06/2011

DVD: http://www.amazon.com/gp/product/B0025ZIG6S/ref=as_li_tf_tl?ie=UTF8&tag=d...

http://thefilmarchive.org/

Here is Germany was a 1945 propaganda documentary film directed by Frank Capra. Like its companion film, Know Your Enemy: Japan, the film is a full-length exploration of why one of the two major Axis countries started World War II and what had to be done to keep them from "doing it again".

The film opens with scenes of everyday life in Germany, described by narrator Walter Huston. It shows people such as housewives, mailmen, farmers and policemen at work, and notes that these people were not so different than us, and seem like people Americans can understand. Anthony Veiller then interrupts with "Or can we?", as the film then switches to a montage of Nazi concentration camps and piles of dead bodies. The narrator notes that this is not the only time that Germany has unleashed war on the world, stating that while its generation fought the "Nazis", its fathers fought the "Huns" (pejorative term for Germany during World War I), and its grand father remembers the "Prussians". The narrator claims that its was all part of the same German lust for conquest.

Going even further back 150 years, the film informs us that while America, Britain, and France were forming their democratic traditions, Germany was a group of 300 medieval feudal states, not one of them with a constitution or parliament. The film traces the rise of Prussia from Frederick the Great through Bismarck, telling the audience that the Prussian state was dominated first by aristocratic landowners, militarists and state officials, later joined by the big industrialists. This development of a military industrial dominated state climaxes in World War I. When the above mentioned elements knew that they were beaten, according to the film, they put the democratic parties in charge in order to discredit the new republic. Once that was accomplished they found a stooge in Hitler, who would finally destroy the Weimar Republic with the addition of a 5th pillar - criminals.

The film depicts the Third Reich entirely from this perspective, seeing Nazism as simply a continuation of the aggressive German tradition, and then merely a façade for the military-industrial complex. The film says that Poles, Italians, Belgians, and Americans were murdered by the Germans. The Nazi persecution of Jews is not explicitly mentioned, but in the initial sequence of Nazi atrocities it shows the bones of "men, women and children: sent to be exterminated in a German death factory". The film also shows what are alleged to be "objects of art, made from human skin."

Frank Russell Capra (May 18, 1897 -- September 3, 1991) was a Sicilian-born American film director and a creative force behind a number of films of the 1930s and 1940s, including It Happened One Night (1934), Mr. Deeds Goes to Town (1936), Lost Horizon (1937), You Can't Take It With You (1938), Mr. Smith Goes to Washington (1939), Meet John Doe (1941), Arsenic and Old Lace (1944) and It's a Wonderful Life (1946).

Frank Capra was commissioned as a major in the United States Army Signal Corps during World War II. He directed or co-directed ten documentary propaganda films between 1942 and 1948, including the seven-episode U.S. government-commissioned Why We Fight series—consisting of Prelude to War (1942), The Nazis Strike (1942), The Battle of Britain (1943), Divide and Conquer (1943), The Battle of Russia (1943), The Battle of China (1944)— plus Know Your Enemy: Japan (1945), Tunisian Victory (1945), and Two Down and One to Go (1945) that do not bear the Why We Fight banner;as well as produced the African-American targeted The Negro Soldier (1944). The Why We Fight series is widely considered a masterpiece of influential propaganda and won an Academy Award. Prelude to War won the 1942 Academy Award for Documentary Feature. Capra regarded these films as his most important works. As a colonel, he received the Distinguished Service Medal in 1945.

http://en.wikipedia.org/wiki/Here_Is_Germany