Mostrar mensagens com a etiqueta zz 1939. Mostrar todas as mensagens
Mostrar mensagens com a etiqueta zz 1939. Mostrar todas as mensagens

quinta-feira, 31 de maio de 2012

John Ford - A Cavalgada Heróica (Stagecoach) - 1939

banda sonoa - inglês . . 






Enviado por  em 05/02/2012
Western sem legendas com John Wayne

Stagecoach is a 1939 American Western film directed by John Ford, starring Claire Trevor and John Wayne in his breakthrough role. The screenplay, written by Dudley Nichols and Ben Hecht, is an adaptation of "The Stage to Lordsburg", a 1937 short story by Ernest Haycox. The film follows a group of strangers riding on a stagecoach through dangerous Apache territory.
Although Ford had made many Westerns in the silent film era, he had never previously directed a sound Western. Between 1929 and 1939, he directed films in almost every other genre, including Wee Willie Winkie (1937), starring Shirley TempleStagecoach was the first of many Westerns that Ford shot using Monument Valley, in the American Southwest on the Arizona-Utah border, as a location, many of which also starred John Wayne. In Stagecoach the director skillfully blended shots of Monument Valley with shots filmed at Iverson Movie Ranch in Chatsworth, California, and other locations.
The screenplay is an adaptation by Dudley Nichols of "The Stage to Lordsburg," a short story by Ernest Haycox. The rights to "Lordsburg" were bought by John Ford soon after it was published in Collier's magazine on 10 April 1937. According to Thomas Schatz, Ford claimed that his inspiration in expanding Stagecoach beyond the barebones plot given in "The Stage to Lordsburg" was his familiarity with another short story, "Boule de Suif" by Guy de Maupassant. Schatz believes "this scarcely holds up to scrutiny" and argues that a more likely inspiration was Bret Harte's 1892 short story "The Outcasts of Poker Flat."
Ford's statement also seems to be the basis for the claim that Haycox himself relied upon Guy de Maupassant's story. However, there appears to be no concrete evidence for Haycox actually being familiar with the earlier story, especially as he was documented as going out of his way to avoid reading the work of others that might unconsciously influence his writing, and he focused his personal reading in the area of history.

Stagecoach has been lauded as one of the most influential films ever made. Orson Welles argued that it was a perfect textbook of film making and claimed to have watched it more than 40 times during the making of Citizen Kane.

  • C'est le film qui révéla John Wayne au grand public. Il allait devenir pour une quarantaine d'années la figure emblématique des westerns américains.
  • Ce sont des Indiens Navajos qui ont joué les Apaches dans le film.
  • L’album de bande dessinée La Diligence (1968), quarante-septième histoire de la série Lucky Luke par Morris (dessin) et René Goscinny (scénario), met également en scène certains ingrédients de ce western : une diligence transportant un échantillon de personnages de l’Ouest (cocher fruste, joueur professionnel, représentant de commerce, cocotte) voyage de relais en relais et doit faire face à des indiens belliqueux.
  • De 1935 à 1949, le réalisateur italien Michelangelo Antonioni exerça le métier de critique de cinéma. Voici ce qu'il écrivit, à propos de La Chevauchée fantastique : « Après ce film il faut vraiment placer John Ford, narrateur et psychologue-né, parmi les plus grands metteurs en scène contemporains. […] Mais ce dont on devrait parler longuement, c'est le style avec lequel Ford a rendu tout cela […] Ford est revenu à la forme ancienne, au muet, mais à un muet qui contient toute la richesse des autres expériences, y compris de la bande son. Cette dernière, dans La Chevauchée fantastique, joue un rôle admirable : le motif qui revient avec la vision de la diligence, les cris du cocher et tous les autres sons et voix sont d'une précision absolue ; la précision, d'ailleurs, signifie surtout poétique, choix concis des éléments de la narration et de l'enchaînement rythmique. » (Cinema, 25 novembre 1940) (Wikipedia)

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sábado, 26 de maio de 2012

Jean Renoir: La Règle du Jeu (1939)



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Enviado por  em 25/11/2011


La Règle du jeu est un film français de Jean Renoir, sorti en 1939. Ce « drame gai » ou « fantaisie dramatique »1, pour reprendre l'expression du réalisateur, a pour ambition d'être une peinture de mœurs de l'aristocratie et de la grande bourgeoisie ainsi que des domestiques qui les servent, à la fin des années 1930. Jean Renoir porte sur le fonctionnement de cette société un regard hautement critique mais aussi résolument humaniste. Aujourd'hui, ce film est très largement considéré par les professionnels du cinéma non seulement comme le meilleur film de Renoir mais encore comme un des plus grands jamais réalisés2,3. La Règle du jeu est un des films les plus commentés de l'histoire. Il a influencé un nombre très important de scénaristes, de réalisateurs4. Selon François Truffaut, La Règle du jeu constitue « le credo des cinéphiles, le film des films ». (Wikipedia)
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quinta-feira, 24 de maio de 2012

Adolfo Hitler - Discursos e encenação

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Enviado por  em 19/10/2011
Nenhuma descrição disponível.

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Enviado por  em 10/09/2011

Discurso de Hitler para 200 mil crianças da Juventude Hitlerista, em 1934,  




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Enviado por  em 12/10/2011 

  


Enviado por  em 30/07/2011

Adolf Hitler, 30 January, 1940, Berlin



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 Enviado por  em 05/08/2011
A piece of real history.

Adolf Hitler explains the four demands giving to Germany from Russia, which involved the liquidation of Finland, Romania, Bulgaria, along with Russia being allowed to have bases in the Dardanelles.

Speech at the Sportpalast on the opening of the Kriegswinterhilfswerk, Berlin, October 3, 1941.

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Enviado por  em 29/04/2011


Hitler's reply to U S president F D Roosevelt  (28 Abril 1939)



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Enviado por  em 18/07/2010
Nenhuma descrição disponível.

Hitler's Election Speech 1932
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Enviado por  em 21/01/2011
Nuremberga - 1934

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Enviado por  em 07/03/2011


Adolf Hitler Closing Speech Triumph Of The Will


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 .Enviado por  em 01/02/2010
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HITLER´S CLOSING SPEECH 10 SEP 1934  - Congresso de Nuremberga


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Enviado por  em 11/09/2011

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Nenhuma descrição disponível. Adolf Hitler - Speech - 
Long live the sacred nations of Europe

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Enviado por  em 06/08/2011
From the Führer's speech to the Reichstag given on January 30, 1937



THE NATIONAL SOCIALIST ECONOMY WAS NOT DEPENDENT ON GOLD OR INTERNATIONAL PRIVATE BANKS.



~~~ HITLER REVEALS THE TRUE IMPORTANCE OF MONEY, CAPITAL, CURRENCY, LABOR, AND PRODUCTION:


"For the folk-community does not exist on the fictitious value of money but on the results of productive labor, which is what gives money its value.

This production, and not a bank or gold reserve, is the first cover for a currency. And if I increase production I increase the real income of my fellow-citizens. And if I reduce production I reduce that income, no matter what wages are paid out."

"We know that National Socialism vigorously combats the opinion which holds that the economic structure exists for the benefit of capital and that the people are to be looked upon as subject to the economic system. We were therefore determined from the very beginning to exterminate the false notion that the economic system could exist and operate entirely freely and entirely outside of any control or supervision on the part of the State."

Thanks to http://der-fuehrer.org for providing the audio!

Text of the entire speech in english: