Enviado por SoloCineMexicano1 em 07/01/2012
La muerte de varias mujeres cercanas a él hacen que Archibaldo de la Cruz crea que es un asesino. Su único razonamiento es que él deseó todas esas muertes. En un interrogatorio frente a un juez, Archibaldo devela su vida y las razones por las que piensa que debe ser juzgado.
The film has been analyzed and studied by international academicians such as Victor Fuentes and Gerardo T. Cummings. Fuentes, a retired professor fromUniversity of California, Santa Barbara, has included chapters dedicated to the detailed analytical study of Ensayo de un crimen in his last book, La mirada de Buñuel (Spain: Tabla Rasa Libros y Ediciones, 2006). Furthermore, he has found correlations between Ensayo de un crimen and Él.
Gerardo T. Cummings, on the other hand, published an article -- by the Puerto Rican journal Revista Horizontes in 2004 -- on the intertextual connections between the cinematic version and the original literary source, the novel by Rodolfo Usigli. The article was part of a larger dissertation chapter on the echoes of the novel in the film. Other critics who have dissected the film version of Ensayo de un crimen have been Marsha Kinder and Ilan Stavans.
Buñuel briefly references the production of Ensayo de un crimen in his 1983 autobiography Mon dernier soupir (My Last Breath). In it, he recounts how he was syndicated into orchestrating an original composition for the movie, and that when the entirety of the members of the orchestra disrobed due to heat, he saw that "at least 3/4ths of them carried holstered guns". Later in the book, he sadly recalls the ironic parallel between a scene where the protagonist cremates a wax mannequin based on Miroslava, and Miroslava's actual cremation following her suicide shortly after production wrapped up. (Wikipedia)
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