sábado, 26 de maio de 2012

Dziga Vertov - O Homem com a Câmara de Filmar - (Симфония Донбасса) - 1929




Enviado por  em 25/04/2011
"Man with a Movie Camera" is the fourth album by "The Cinematic Orchestra". It is the soundtrack to a re-released version of the (then ground-breaking) 1929 silent documentary film, "Man with a Movie Camera" from Russian director Dziga Vertov.
VUFKU 1929



Enviado por  em 14/07/2011

Man with a Movie Camera (Russian: Человек с киноаппаратом, Chelovek s kinopparatom), sometimes called The Man with the Movie Camera, The Man with a Camera, The Man With the Kinocamera, or Living Russia[1] is an experimental 1929 silent documentary film, with no story and no actors,[2] by Russian director Dziga Vertov, edited by his wife Elizaveta Svilova. Vertov's feature film, produced by the Ukrainian film studio VUFKU, presents urban life in Odessa and other Soviet cities. From dawn to dusk Soviet citizens are shown at work and at play, and interacting with the machinery of modern life. To the extent that it can be said to have "characters," they are the cameramen of the title, the film editor, and the modern Soviet Union they discover and present in the film. 

This film is famous for the range of cinematic techniques Vertov invents, deploys or develops, such as double exposure, fast motion, slow motion, freeze frames, jump cuts, split screens, Dutch angles, extreme close-ups, tracking shots, footage played backwards, stop motion animations and a self-reflexive style (at one point it features a split screen tracking shot; the sides have opposite Dutch angles).  

References

  1. ^ List of alternate titles for "Man with a Movie Camera"
  2. ^ Dziga Vertov. On Kinopravda. 1924, and The Man with the Movie Camera. 1928, in Annette Michelson ed. Kevin O'Brien tr. Kino-Eye : The Writings of Dziga Vertov, University of California Press, 1995. (Wikipedia)


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