terça-feira, 8 de maio de 2012

Clyde Bruckman - Pamplinas Maquinista -. The General - 1926 (BUSTER KEATON)

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Enviado por  em 05/06/2011


The General is a 1926 American silent comedy film released by United Artists based upon the Great Locomotive Chase from 1862. Buster Keaton starred in the film and co-directed it with Clyde Bruckman. It was adapted by Al Boasberg, Bruckman, Keaton, Charles Henry Smith (uncredited) and Paul Girard Smith (uncredited) from the memoir The Great Locomotive Chase by William Pittenger. The film was a box-office disaster at its original release, but is now considered by critics as one of the greatest films ever made.

Keaton performed many dangerous physical stunts on and around the moving train, including jumping from the engine to a tender to a boxcar, sitting on the cow-catcher of the slow moving train while holding a railroad tie, and running along the roof. One of the most dangerous stunts occurred when Buster sat on one of the coupling rods, which connect the drivers of the locomotive. In the film, the train starts gently and gradually picks up speed as it enters a shed.



The climax of the film includes a spectacular moment where a bridge (sabotaged by Johnnie) collapses as a railroad train crosses it. Keaton filmed the collapse in the conifer forest around the town of Cottage Grove, Oregon, using 500 extras from the Oregon National Guard. They all dressed up in Union uniforms and were filmed going left-to-right before changing into Confederate uniforms and being filmed going right-to-left.



The production company left the wreckage in the river bed after the scene was filmed. The wrecked locomotive became a minor tourist attraction for nearly twenty years. The metal of the train was salvaged for scrap during World War II.


The General on its initial release fared poorly in both box office and critical reaction. Variety reported of a theater in which it played, "after four weeks of record business with 'Flesh and the Devil', looks as though it were virtually going to starve to death this week." It goes on to say that The General is "far from funny" and that "it is a flop." New York Times reviewer Mordaunt Hall stated, "The production itself is singularly well mounted, but the fun is not exactly plentiful", and "This is by no means so good as Mr. Keaton's previous efforts." The Los Angeles Times reported that the picture is "neither straight comedy nor is it altogether thrilling drama" and goes on to state that the picture "drags terribly with a long and tiresome chase of one engine by another."[6] It was one of Keaton's worst pictures at the box office.



Keaton considered it to be the best of all his movies. Audiences and critics would later agree with him, and it is now considered a major classic of the silent era.


In 1989, The General was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". It made it into the registry in the first year it was enacted, along with such films as The Best Years of Our Lives, Casablanca, Citizen Kane, Gone with the Wind, and Sunset Blvd.
(Text from Wikipedia)

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