banda sonora - inglês
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Enviado por moh1612 em 03/04/2011
A man who loves games and theater invites his wife's lover to meet him, setting up a battle of wits with potentially deadly results.
Milo Tindle and Andrew Wyke have something in common, Andrew's wife. In an attempt to find a way out of this without costing Andrew a fortune in alimony, he suggests Milo pretend to rob his house and let him claim the insurance on the stolen jewelry. The problem is that they don't really like each other and each cannot avoid the zinger on the other. The plot has many shifts in which the advantage shifts between Milo and Andrew.
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Sleuth is a 1972 mystery film, an adaptation of the Tony Award-winning Sleuth by British playwrightAnthony Shaffer. The screenplay was adapted by Shaffer. Directed by Joseph L. Mankiewicz, the film starsLaurence Olivier and Michael Caine.
Sleuth is a 1972 mystery film, an adaptation of the Tony Award-winning Sleuth by British playwrightAnthony Shaffer. The screenplay was adapted by Shaffer. Directed by Joseph L. Mankiewicz, the film starsLaurence Olivier and Michael Caine.
Shaffer was initially reluctant to sell the film rights to the play, fearful it would undercut the success of the stage version. When he finally did relent, he hoped the film would retain the services of Anthony Quayle, who had essayed the role of Wyke in London and on Broadway. Alan Bates was Shaffer’s pick for the part of Milo Tindle. In the end, director Mankiewicz opted for Olivier and Caine.
When they met, Caine asked Olivier how he should address him. Olivier told him that it should be as "Lord Olivier", and added that now that that was settled he could call him "Larry". According to Shaffer, Olivier stated that when filming began he looked upon Caine as an assistant, but that by the end of filming he regarded him as a full partner.
The film is noted for its prop-cluttered set designed by Ken Adam, quasi-baroque music score by John Addison, and its Oscar-nominated performances from Olivier and Caine.
The film was nominated for Academy Awards for Best Actor in a Leading Role (Michael Caine and Laurence Olivier), Best Director and Best Music, Original Dramatic Score. Olivier won the New York Film Critics award for Best Actor as a compromise selection after the voters became deadlocked in a choice between Marlon Brando and Al Pacino in The Godfather after Stacey Keach in Fat City won a plurality in initial voting and rules were changed requiring a majority.
Shaffer received an Edgar Award for his screenplay.
The film was the second to have its entire credited cast (Caine and Olivier) nominated for Academy Awards after Who's Afraid of Virginia Woolf in 1966 and the first where all of the actors in the film were nominated. (Virginia Woolf featured uncredited bit parts by actors playing the roadhouse manager and waitress.) This feat has been repeated only by Give 'em Hell, Harry! (1975), in which James Whitmore is the sole credited actor.
The production team intended to reveal as little about the movie as possible so as to make the conclusion a complete surprise to the audience. Hence, a false casting at the beginning of the film consisting of fictional people playing roles that do not exist, as well as a fictional actor credited as Doppler. This "game" not only serves as irony, but continues to deceive new audiences. The same trick was pulled in the original stage version.
Much of the story revolves around the theme of crime fiction, as written by Dorothy L. Sayers (Lord Merridew = Lord Peter Wimsey) or Agatha Christie, whose photo is included on Wyke's wall, and how it relates to real-life criminal investigations. Class conflict is also raised between Wyke, the long-established English country gentleman, compared to Tindle, the son of an immigrant from the working-class streets of London.
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